Großbritannien

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	Killip, Christopher. In flagrante. With an essay by John Berger & Sylvia Grant. London, Secker & Warburg (1988). 4° (31 x 21,5 cm.). 93 S. mit 50 Tafeln. Publishers cloth binding with illustrated dust jacket. Auer 675. Parr/Badger II, 299. Roth, The Open Book 340 f. – First edition; inscribed by C. Killip „For Victor on 4 OB, Hasty Pudding Club, + Harvard All the best Chris“. – „In Flagrante is a singulary original work of art, both passionate and partisan. This is not an objective report. Killip tells his personal tale through these pictures, but he also allows his subjects’ collective story a clear voice of its own. The pictures in In Flagrante – primarily candid portraits and urban landscapes made in rich-toned black and white, predominantly shot with a 4x5 camera – were made in the northeast of England during the premiership of Margaret Thatscher… In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography“ (Parr/Badger). – „Renowned documentary photographer and former professor of visual and environmental studies Chris Killip died from lung cancer on Oct. 13. He was 74. Killip was a professor of photography in VES (now Art, Film, and Visual Studies) from 1991 to 2017, and the department chair from 1994 to 1998. For more than two decades, he had worked from the basement of the Carpenter Center, sharing his love of the art form with students and colleagues. … In 1988, Killip published his second and most famous book of photographs, “In Flagrante,” which captured the everyday fallout from deindustrialization and economic decline in northeastern England in the 1970s and 1980s. His arresting documentary style of photography captured the attention of critics and viewers alike, and Killip received the inaugural Henri Cartier-Bresson Award, now called le Prix HCP. … “His photographs embodied Henri Cartier-Bresson’s emphasis on the decisive moments, and Josef Koudelka’s eye for the surreal. He captured in arresting black-and-white photographs fleeting moments filled with powerful emotions,” said AFVS Professor Sharon Harper. “He was looking closely at people, labor, and the plight of the worker.“ The introductory photography course VES 40a, which he ran for many years, accommodated 100 students split into 10 sections. Even with so many spots, said Moss, the class often attracted two or three times as many students as it could accommodate. “Chris leaves quite a legacy of his documentary photography, which is known internationally, but also he has a legacy of students who were devoted to him and discovered photography through their studies with him,” added Harper“ (M. Aggarwal-Schifellite, Documentary photographer Chris Killip dies at 74, The Harvard Gazette, October 21, 2020). – A very fine copy of the rare hardback edition. Schlagwörter: England, Great Britain, Großbritannien, Signed books, Signierte Bücher, Sozialdokumentarische Fotografie, Widmungsexemplar Details anzeigen…	1.400,--
	Aikin, Lucy. Memoirs of the court of King James the First. (Illustrated with contemporary portraits of many artists compiled by T. Mackinslay in 1850). Second edition. 2 Bände. London, Longman, Rees, Orme, Brown, Green and Longman 1833. Gr.-8° (22 x 14 cm.). XV (1) S., [12] Bl. (davon 6 beschrieben „Index to 150 inlaid plates inserted since publication“), 544 S.; XV, 611 S. mit 2 zusätzlichen kalligraphischen Titelblättern, 2 gestoch. Frontispizen, 152 teils mont. gestoch. Portraits, 1 gefalt. Brief-Faksimile und 1 mehrfach. gefalteten Faksimile-Urkunde auf Leinen kaschiert. Lederbände der Zeit mit goldgepr. Rückentiteln, floraler Rückenvergoldung, dekorativen breiten Deckel-Bordüren, Kanten- und Innenkantenvergoldung und Goldschnitt. Zuerst 1822 erschienene Darstellung über die Zeitgenossen König, Jacobs I. von England. – Unikales Exemplar ergänzt um 152 Portrait-Kupferstichen des 17. bis 19. Jahrhunderts, darunter Shakespeare (″From the Edition of his Poems 1640“), Sr. John Moor (″From a scarce Print in the Collection of R. Bull Esq.“, Farb-Radierung in Rot, Braun und Schwarz), Queen Mary I., Sr. F. Bacon, King Henry VIII., Admiral Blake, Oliver Cromwell, John Milton und Kardinal Richelieu. – Die britische Historikerin und Schriftstellerin Lucy Aikin (1781-1864) veröffentlichte vorwiegend biographisch-historische Werke. „1810 erschien ihr erstes größeres Werk, Epistles on Women, Exemplifying their Character and Condition in Various Ages and Nations, with Miscellaneous Poems, und 1814 ihr einziges belletristisches Werk, Lorimer, a Tale. Dies waren nur frühe Versuche, aber ihren Ruf erwarb sie vollständig durch historische Werke, die zwischen 1818 und 1843 veröffentlicht wurden: Memoirs of the Court of Queen Elizabeth (1818), Memoirs of the Court of James I. (1822), Memoirs of the Court of Charles I. (1833) und Life of Addison (1843). Das letztgenannte Werk, das viele bisher unveröffentlichte Briefe Addisons enthält, war Gegenstand eines Essays von Macaulay, der zwar Aikins andere Werke und insbesondere ihre Memoirs of the Court of James I lobte, aber feststellte, dass sie „unter den Halskrausen und Spitzbärten der Theobalds weit mehr zu Hause war als unter den Steenkirschen und wallenden Perücken, die Königin Annes Teetisch in Hampton umgaben“. Sie selbst sah das ähnlich und soll nach der Fertigstellung von Charles I. geäußert haben: „Ich bin entschlossen, mich nicht weiter mit englischen Herrschern zu befassen. Charles II. ist kein Thema für mich: Er würde mich dazu bringen, meine Art zu verdammen.“ (Wikipedia). – Exlibris (″Samuel F. Barker“), unikale mit 152 Portraits getrüffelte „Luxus-Ausgabe“ in einem prachtvollen Handeinband. XV (1) pp., [12] leaves (6 of which are inscribed ‘Index to 150 inlaid plates inserted since publication’), 544 pp.; XV, 611 pp. with 2 additional calligraphic title pages, 2 engraved frontispieces, 152 partly mounted engraved portraits, 1 folded letter facsimile and 1 multiple folded facsimile document mounted on linen. frontispieces, 152 partly mounted engraved portraits, 1 folded letter facsimile and 1 facsimile document folded several times and mounted on linen. Contemporary leather bindings with gilt-stamped spines, floral spine gilt-edging, decorative wide cover borders, gilt edges and inner edges, and gilt edging. – First published in 1822, this work depicts the contemporaries of King James I of England. – Unique copy supplemented by 152 portrait engravings from the 17th to 19th centuries, including Shakespeare (‘From the Edition of his Poems 1640’), Sir John Moor (″From a scarce Print in the Collection of R. Bull Esq. „, colour etching in red, brown and black), Queen Mary I, Sir F. Bacon, King Henry VIII, Admiral Blake, Oliver Cromwell, John Milton and Cardinal Richelieu. – The British historian and writer Lucy Aikin (1781–1864) mainly published biographical and historical works. Her first major work, Epistles on Women, Exemplifying their Character and Condition in Various Ages and Nations, with Miscellaneous Poems, appeared in 1810, followed in 1814 by her only work of fiction, Lorimer, a Tale. These were only early attempts, but she earned her reputation entirely through historical works published between 1818 and 1843: Memoirs of the Court of Queen Elizabeth (1818), Memoirs of the Court of James I (1822), Memoirs of the Court of Charles I (1833) and Life of Addison (1843). The latter work, which contains many previously unpublished letters by Addison, was the subject of an essay by Macaulay, who praised Aikin’s other works, particularly her Memoirs of the Court of James I, but noted that she was ‘far more at home among the ruffs and pointed beards of the Theobalds than among the steenkirschen and flowing wigs that surrounded Queen Anne’s tea table at Hampton’. She herself felt similarly and is said to have remarked after completing Charles I: „I am determined to deal no more with English sovereigns. Charles II is not an option for me: he would make me condemn my own style.‘ (Wikipedia). – Ex libris (’Samuel F. Barker‘), unique ’luxury edition“ studded with 152 portraits in a magnificent hand-bound cover. Schlagwörter: Biographie, Biography, Einbände, Einbandkunst, England, Great Britain, Großbritannien, Portraits, Porträts, Porträtwerke Details anzeigen…	800,--
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Killip, Christopher. In flagrante. With an essay by John Berger & Sylvia Grant. London, Secker & Warburg (1988). 4° (31 x 21,5 cm.). 93 S. mit 50 Tafeln. Publishers cloth binding with illustrated dust jacket.

Auer 675. Parr/Badger II, 299. Roth, The Open Book 340 f. – First edition; inscribed by C. Killip „For Victor on 4 OB, Hasty Pudding Club, + Harvard All the best Chris“. – „In Flagrante is a singulary original work of art, both passionate and partisan. This is not an objective report. Killip tells his personal tale through these pictures, but he also allows his subjects’ collective story a clear voice of its own. The pictures in In Flagrante – primarily candid portraits and urban landscapes made in rich-toned black and white, predominantly shot with a 4x5 camera – were made in the northeast of England during the premiership of Margaret Thatscher… In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography“ (Parr/Badger). – „Renowned documentary photographer and former professor of visual and environmental studies Chris Killip died from lung cancer on Oct. 13. He was 74. Killip was a professor of photography in VES (now Art, Film, and Visual Studies) from 1991 to 2017, and the department chair from 1994 to 1998. For more than two decades, he had worked from the basement of the Carpenter Center, sharing his love of the art form with students and colleagues. … In 1988, Killip published his second and most famous book of photographs, “In Flagrante,” which captured the everyday fallout from deindustrialization and economic decline in northeastern England in the 1970s and 1980s. His arresting documentary style of photography captured the attention of critics and viewers alike, and Killip received the inaugural Henri Cartier-Bresson Award, now called le Prix HCP. … “His photographs embodied Henri Cartier-Bresson’s emphasis on the decisive moments, and Josef Koudelka’s eye for the surreal. He captured in arresting black-and-white photographs fleeting moments filled with powerful emotions,” said AFVS Professor Sharon Harper. “He was looking closely at people, labor, and the plight of the worker.“ The introductory photography course VES 40a, which he ran for many years, accommodated 100 students split into 10 sections. Even with so many spots, said Moss, the class often attracted two or three times as many students as it could accommodate. “Chris leaves quite a legacy of his documentary photography, which is known internationally, but also he has a legacy of students who were devoted to him and discovered photography through their studies with him,” added Harper“ (M. Aggarwal-Schifellite, Documentary photographer Chris Killip dies at 74, The Harvard Gazette, October 21, 2020). – A very fine copy of the rare hardback edition.

Schlagwörter: England, Great Britain, Großbritannien, Signed books, Signierte Bücher, Sozialdokumentarische Fotografie, Widmungsexemplar

Details anzeigen…

1.400,--

Aikin, Lucy. Memoirs of the court of King James the First. (Illustrated with contemporary portraits of many artists compiled by T. Mackinslay in 1850). Second edition. 2 Bände. London, Longman, Rees, Orme, Brown, Green and Longman 1833. Gr.-8° (22 x 14 cm.). XV (1) S., [12] Bl. (davon 6 beschrieben „Index to 150 inlaid plates inserted since publication“), 544 S.; XV, 611 S. mit 2 zusätzlichen kalligraphischen Titelblättern, 2 gestoch. Frontispizen, 152 teils mont. gestoch. Portraits, 1 gefalt. Brief-Faksimile und 1 mehrfach. gefalteten Faksimile-Urkunde auf Leinen kaschiert. Lederbände der Zeit mit goldgepr. Rückentiteln, floraler Rückenvergoldung, dekorativen breiten Deckel-Bordüren, Kanten- und Innenkantenvergoldung und Goldschnitt.

Zuerst 1822 erschienene Darstellung über die Zeitgenossen König, Jacobs I. von England. – Unikales Exemplar ergänzt um 152 Portrait-Kupferstichen des 17. bis 19. Jahrhunderts, darunter Shakespeare (″From the Edition of his Poems 1640“), Sr. John Moor (″From a scarce Print in the Collection of R. Bull Esq.“, Farb-Radierung in Rot, Braun und Schwarz), Queen Mary I., Sr. F. Bacon, King Henry VIII., Admiral Blake, Oliver Cromwell, John Milton und Kardinal Richelieu. – Die britische Historikerin und Schriftstellerin Lucy Aikin (1781-1864) veröffentlichte vorwiegend biographisch-historische Werke. „1810 erschien ihr erstes größeres Werk, Epistles on Women, Exemplifying their Character and Condition in Various Ages and Nations, with Miscellaneous Poems, und 1814 ihr einziges belletristisches Werk, Lorimer, a Tale. Dies waren nur frühe Versuche, aber ihren Ruf erwarb sie vollständig durch historische Werke, die zwischen 1818 und 1843 veröffentlicht wurden: Memoirs of the Court of Queen Elizabeth (1818), Memoirs of the Court of James I. (1822), Memoirs of the Court of Charles I. (1833) und Life of Addison (1843). Das letztgenannte Werk, das viele bisher unveröffentlichte Briefe Addisons enthält, war Gegenstand eines Essays von Macaulay, der zwar Aikins andere Werke und insbesondere ihre Memoirs of the Court of James I lobte, aber feststellte, dass sie „unter den Halskrausen und Spitzbärten der Theobalds weit mehr zu Hause war als unter den Steenkirschen und wallenden Perücken, die Königin Annes Teetisch in Hampton umgaben“. Sie selbst sah das ähnlich und soll nach der Fertigstellung von Charles I. geäußert haben: „Ich bin entschlossen, mich nicht weiter mit englischen Herrschern zu befassen. Charles II. ist kein Thema für mich: Er würde mich dazu bringen, meine Art zu verdammen.“ (Wikipedia). – Exlibris (″Samuel F. Barker“), unikale mit 152 Portraits getrüffelte „Luxus-Ausgabe“ in einem prachtvollen Handeinband.
XV (1) pp., [12] leaves (6 of which are inscribed ‘Index to 150 inlaid plates inserted since publication’), 544 pp.; XV, 611 pp. with 2 additional calligraphic title pages, 2 engraved frontispieces, 152 partly mounted engraved portraits, 1 folded letter facsimile and 1 multiple folded facsimile document mounted on linen. frontispieces, 152 partly mounted engraved portraits, 1 folded letter facsimile and 1 facsimile document folded several times and mounted on linen. Contemporary leather bindings with gilt-stamped spines, floral spine gilt-edging, decorative wide cover borders, gilt edges and inner edges, and gilt edging. – First published in 1822, this work depicts the contemporaries of King James I of England. – Unique copy supplemented by 152 portrait engravings from the 17th to 19th centuries, including Shakespeare (‘From the Edition of his Poems 1640’), Sir John Moor (″From a scarce Print in the Collection of R. Bull Esq. „, colour etching in red, brown and black), Queen Mary I, Sir F. Bacon, King Henry VIII, Admiral Blake, Oliver Cromwell, John Milton and Cardinal Richelieu. – The British historian and writer Lucy Aikin (1781–1864) mainly published biographical and historical works. Her first major work, Epistles on Women, Exemplifying their Character and Condition in Various Ages and Nations, with Miscellaneous Poems, appeared in 1810, followed in 1814 by her only work of fiction, Lorimer, a Tale. These were only early attempts, but she earned her reputation entirely through historical works published between 1818 and 1843: Memoirs of the Court of Queen Elizabeth (1818), Memoirs of the Court of James I (1822), Memoirs of the Court of Charles I (1833) and Life of Addison (1843). The latter work, which contains many previously unpublished letters by Addison, was the subject of an essay by Macaulay, who praised Aikin’s other works, particularly her Memoirs of the Court of James I, but noted that she was ‘far more at home among the ruffs and pointed beards of the Theobalds than among the steenkirschen and flowing wigs that surrounded Queen Anne’s tea table at Hampton’. She herself felt similarly and is said to have remarked after completing Charles I: „I am determined to deal no more with English sovereigns. Charles II is not an option for me: he would make me condemn my own style.‘ (Wikipedia). – Ex libris (’Samuel F. Barker‘), unique ’luxury edition“ studded with 152 portraits in a magnificent hand-bound cover.

Schlagwörter: Biographie, Biography, Einbände, Einbandkunst, England, Great Britain, Großbritannien, Portraits, Porträts, Porträtwerke

Details anzeigen…

800,--

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