Multiple
Die Liste enthält 3 Einträge. Suchergebnisse löschen und Gesamtbestand anzeigen.
| Abbildung |
Beschreibung Gesamte Buchaufnahme |
Preis EUR |
|
|---|---|---|---|
| Man Ray (d. i. Emmanuel Rudnitzky oder Radnitzky). Le pain peint. (Catalogue d’exposition avec multiple – Ausstellungskatalog mit Multiple). Paris, Alexander Iolas (1974). Gr.-8° (24 x 17 cm.). 10 Farbserigraphien, 2 Tafeln mit Skulpuren und 1 mehrfach gefaltetes Ausstellungsplakat. Leporello zwischen blaugrauen Samtkartondeckeln mit olivgrünen Seidenschlaufen und montiertem Deckelobjekt, hellblau bemaltes Baguette aus Gips (20 x 3 x 0,5 cm.).
Martin 127. Matarasso Collection (Auktions-Katalog Paris 1993) 497. – Sehr schöner und seltener Ausstellungskatalog mit den wunderschönen und farbkräftigen abstrakten Kompositionen Man Ray’s in Serigraphie (verkleinerte Abbildungen seiner Revolving Doors, vgl. Anselmino 18) und dem rosafarbigem Orig.-Ausstellungsplakat (Format ca. 82 x 48 cm) auf kräftigem Karton. – Man Ray described the readymade Pain peint in 1972 as follows, „You see, when I painted a local bread blue, the idea of a title came to me almost immediately and almost automatically: in French ‚pain peint‘, painted bread, because it sounds also like the kids running down the street after a fire engine and imitating the sound of the sirens: ‚pain–pain–pain–pain–pain–pain‘, you know.“ – Sehr gut erhalten. Schlagwörter: Multiple, Pop art, Surrealism, Surrealismus |
3.800,-- |  |
|
 |
Warhol (Andy) and David Dalton (editors). Now Aspen in an All New Fab Issue. In 11 sections. Vol. 1, No. 3. New York, Roaring Fork Press Inc. 1966. 4° (31 x 20,5 x 1,8 cm.). Complete with 11 items as issued, including the rare Velvet Underground flexi-disc, John Powers Pop Art Collection catalogue, the „Exploding Plastic Inevitable“ newspaper collage, „Ten Trip Ticket Book“ with excerpts from the Berkeley Conference on LSD by Timothy Leary and others, the flip-book of Jack Smith’s film Buzzards Over Baghdad, plates and articles by Warhol, de Kooning, Lichtenstein, Malanga, Mekas, and many others,plus the subscription form, leaflets, and ad flyers. Darkblue Original cardboard box with cover title in neon yellow and orange.
The most famous and increasingly scarce issue of this pop art collectible. Aspen was „the first three-dimensional magazine,“ according to its publishers. It began with issues devoted to their ski spa name, but then broke theme for this third issue which has become the well-known Pop Art issue designed by Andy Warhol and David Dalton. Subsequent issues were devoted to conceptual art, minimalist art, and postmodern critical theory, new voices in British arts and culture, the Fluxus group, art and literature of the psychedelic drug movement, and Asian art and philosophy. Contributors included William S. Burroughs, John Cage, Merce Cunningham, Marcel Duchamp, Sol LeWitt, Laszlo Moholy-Nagy, John Lennon and Yoko Ono, Robert Rauschenberg, LaMont Young, and many others. – The cardboard box is slightly rubbed at the edges, but otherwise in good condition and complete with 11 inserts. Schlagwörter: Fluxus, Magazines, Multiple, Pop art, Zeitschriften |
1.200,-- | |
 |
Rosenquist, James (1933-2017). Paper Suit. Papieranzug aus Dupont Tyvek, Sand. Konfektionsgröße 50. Ca. 183 x 186 x 0,5 cm. Mit Silberstift signiert auf der rechten Jackeninnenseite von James Rosenquist und nummeriert auf dem eingenähten Etikett. Berlin, Deutsche Guggenheim März 1998. Farbig illustr. Orig.-Karton (43 x 30 x 6,5 cm.). (Edition No. 2).
Nr. 77 von 100 Exemplaren. Produziert von der Hugo Boss AG. Auf innenseitigem Etikett bezeichnet: „James Rosenquist Paper Suit. Produced in a limited edition on the occasion of the exhibition The Swimmer in the Econo-mist. Deutsche Guggenheim Berlin, March, 1998“. – „This extraordinary garment represents the increasingly explicit link between art and fashion. Rosenquist’s concept from Tyvek (a nonwoven fabric made from spun-bonded olefin) marries the most enduring form of menswear with the „throw away“ expendability of paper. His design harks back to the brief 1960s fashion for paper dresses. The dresses with „Campbell’s Soup“ prints and hallucinogenic paisleys were the perfect embodiment of the Pop Art movement that he helped to pioneer.“ (The Met, New York). – Paper suit made of Dupont Tyvek, sand; Clothing size 50, height approx. 183 cm, W approx. 86 cm; signed inside ’‚James Rosenquist‘‚; inside on sewn-inn label inscribed and numbered ‘‚James Rosenquist Paper Suit Produced in a limited edition on the occasion of the exhibition The Swimmer in the Econo-mist Deutsche Guggenheim Berlin, March 1998 77/100‘’; manufacturer’s label ’‚BOSS Hugo Boss‘’; in the original box with enclosed scissors. Schlagwörter: Multiple, Pop art, Pop-Kultur |
1.600,-- | |
|
Einträge 1–3 von 3
Zurück · Vor
|
|||
| Seite: 1 |