Biographien
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| Mishima – Saeki Shoichi. Hyoden Mishima Yukio (A biography of Yukio Mishima). Tokyo, Shinchoscha (1978). 8°. 276, (2) p. with a portrait. Publisher’s cloth with an illustrated dust jacket and belly band (obi).
First edition of the important biography of Mishima Yukio (1925–1970), arguably the most representative and influential writer of post-war Japanese literature. – The eminent literary critic Shoichi Saeki (1922–2016) followed Mishima’s career at close quarters for a time. His biography, published in 1978, is regarded in Japan as the definitive work, as it offers a profound and analytical insight into Mishima’s literary genius and complex psyche, looking beyond the political scandals. – Mishima, who was nominated for the Nobel Prize in Literature on several occasions (1963, 1964, 1965, 1967 and 1968), wrote novels, screenplays, plays, short stories, poems and a libretto. In the 1960s, Mishima appeared in a series of sensational samurai and yakuza films. In 1960, he played the lead role in Yasuzo Masumura’s gangster film *Afraid to Die*. He also appeared in the films *Patriotism* (1966), *Black Lizard* (1968, directed by Kinji Fukasaku) and *Hitokiri* (1969, directed by Hideo Gosha). He wrote and sang the theme song for *Afraid to Die* himself. Moshima also posed for photo books featuring homoerotic semi-nude images of himself. Among other things, he modelled for the book *Bara-kei* by the photographer Eiko Hosoe and the book series *Young Samurai: Bodybuilders of Japan* by the photographer Tamotsu Yato, who is best known for his homoerotic black-and-white photographs. The American film critic Donald Richie witnessed the creation of one of Mishima’s most famous portraits: he posed in the snow, clad in a loincloth and holding a sword. His avant-garde works are characterised by a wide-ranging vocabulary, multi-layered metaphors, the fusion of traditional Japanese and modern Western literature, and his obsession with the unity of beauty, eroticism and death. In honour of his life’s work, the Mishima Prize was established in 1988 and has been awarded annually ever since. – A very fine copy. Schlagwörter: Biographie, Biographien, Biographies, Biography, Japan, Literaturgeschichte, Literaturwissenschaft |
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| Chateaubriand, (François-René) de. Mémoires, lettres et pièces authentiques touchant la vie et la mort de S. A. R. Monseigneur Charles-Ferdinand d’Artois, fils de France, Duc de Berry. Beigebunden: Walsh, (Antoine Olivier) Théobald. George Sand. 2 Werke in 1 Band. Paris, Le Normant und Hivert 1820 und 1837. 8°. [2] Bl., II, 299 S.; XIV, 232 S. Halblederband der Zeit mit goldgepr. Rückentitel und Rückenvergoldung.
I. Hoefer 10, 101. Oettinger 1729. Querard I, 152. – Seltene erste Ausgabe der Biographie und Streitschrift zum Mord am Duc de Berry, verfasst von einem der ärgsten und wortgewaltigsten Gegenspieler des Ministers Decazes. Vom Verleger Le Normant signiert. – II. Vicaire VII, 329. – Erste Ausgabe – T. Walsh analysiert u. a. ausführlich den Roman „Lélia“ (1833) von G. Sand. – George Sand (d. i. Amantine Aurore Lucile Dupin de Francueil, 1804-1876) lebte 1838 bis 1839 mit Frédéric Chopin auf Mallorca. – Gestoch. Wappen-Exlibris (″Comte d’Antioche“), interessanter Sammelband aus einer franz. Adels-Bibliothek. Schlagwörter: Biographie, Biographien, Biography, France, Frankreich, Literatur, Literaturgeschichte |
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| Sainte-Beuve, (Charles Augustin). Frauenbildnisse aus vier Jahrhunderten. (Deutsch von Stefanie Strizek mit einer Einleitung von Hanns Floerke). 3.-5. Tsd. 2 Bände. München, Georg Müller 1923. Kl.-8°. XV, 321, (3) S.; XVIII, 390 S. mit 34 Porträts. OHldr. mit goldgepr. Rückensch. u. dekorativer Rückenverg.
Mit 22 Biographien, darunter Maria Stuart, Henriette von Orléans, Elisabeth Charlotte von der Pfalz, Ninon de l’Enclos, Marquise von Caylus, Madame de Pompadour, Marie Antoinette, Maria Antoinette, Maria Theresia und Bettina von Arnim. – Gelenke tewas berieben, Vorsätze u. Tafeln etwas braunfleckig, N.a.V., sonst gut erhalten. Schlagwörter: Biographien |
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